Let see: we bought the truck, we're in the process of selling the Accent. We had it detailed, and Christine posted it to Craig's List. We were slammed with folks who wanted to see it -- then Christine realized she'd calculated the bluebook value for a car two years older. At the higher price, everyone was scared off. She realized that she ought to get it smogged before selling and deal with tags and all sorts of details. So, Helen on Wheels isn't gone yet, but will be soon.
I spent a great deal of time virtually in Death Valley, reading reports of the 2005 flower bloom and then realizing this year may be just as amazing. A friend and i have been talking about going: we now have our hotel reservations and I've two different photographer's guides to Death Valley requested from the library. I chose the weekend closer to the new moon, and i've checked when and where to see the Milky Way.
I'm quite excited!
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Meeting for Worship with Attention to Business went well on Sunday: we are asking Meeting to consider taking risks and changing. The process has been well handled: i think people are ready to take on change.
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I've had many thoughts about making patterns for spoonflower. I realized i could make a pattern collection using the "native" color palette and then make a variation with an "on trend" color palette each year. The "native" palette could persist, while the trendy colors could be retired. Complimenting the patterns could be a pattern of quilt squares that used more photo-real images (such as more complete images of redwood trees, or details of bark and so on, without the adaptations needed to make seamless repeats. Another complement could be a photo-real border, like a horizon of trees.
Meanwhile, i am procrastinating on exporting photos from lightroom to submit for two gallery shows. Some sort of anxiety blocking me there.
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Tonight i finally got to the Seven Eves part of Seveneves. I had a very hard time listening to the politician in the second part of the book. Had i been reading, i am sure i would have skimmed the dialogue, just enough to register the creepy twisting of reality. Listening, i had to experience all the creepy twisting dialogue which i found depressing.
While the narrative features constant digressions to explain physics to make everything very concrete, i realized that how the robots convert the iron of the asteroid into manufactured iron was NOT explained. The little iron foundry did not get a digression. Or maybe it was so far at the beginning of the story i've lost track -- but i really don't see how the little robots made the iron wall.
This is also posted at http://elainegrey.dreamwidth.org/593355.html .